Sonntagsposaunenstück - Romantic music for trombone and organ

The Ladegast organ in Alt-Leisnig Church, Polditz

Completed in 1868 by Friedrich Ladegast, one of the leading organ-builders in the latter half of the 19th century, the organ features 3 manuals and 33 registers, and is the largest original Ladegast organ to be preserved in Saxony. The only alteration is that the tin front pipes were melted down for the armaments industry during World War I, to be replaced by zinc pipes in 1928. Although it was decided at this time to expand the organ and equip it with a pneumatic action, this plan was thwarted by a lack of funds – and so this masterpiece of Romantic organ-building was left in more or less its original state. In 1996/97 it was restored by Christian Scheffler, a firm of organ-builders from Sieversdorf.


linke Staffelei

I. Manual (OW) C – f’’’
Geigenprincipal//8’//Principal//4’
Lieblich Gedackt//16’//Salicional//8’
Doppelflöte//8’//Flauto amabile//4’
Violine//2’//Progressio Harmonica 2 – 3fach
Oboe//8’

Pedal C – d’
Posaune//16’//Vacant
Quintenbass//5 1/3’//Pedal Coppel
Octavbass//4’//Subbass//16’
Bassflöte//8’//Principalbass//16’
Octavbass//8’//Violon//32’

rechte Staffelei

II. Manual (HW) C – f’’’
Principal//8’//Principal//16’
Gambe//8’//Bordun//16’
Rohrflöte//8’//Flöte//8’
Cornett//3fach//Octave//4’
Quinte//2 2/3//Gedackt//4’
Mixtur//3fach//Octave//2’

III. Manual (SW) C – f’’’
Manual Coppel I.//Zartflöte//4’
Manual Coppel II.//Viola d’amour//8’
Calcantenruf//Lieblich Gedackt//8’
Flauto traverso//8’

1.
Carl August Fischer (1828–1895)    
Fantasie op. 21

2.
Richard Bartmuss (1859–1910)    
Rezitativ und Arioso op. 24
Moderato assai

3.
Bernhard Edward Müller (1842–?)
Gebet op. 62b

4.
Gioacchino Rossini (1792–1868)/Franz Liszt
Aria »Cujus animam« aus »Stabat mater«

5.–6.
Gustav Holst (1874–1934)
Duet for Trombone and Organ
Andante quasi Adagio
Allegro giojoso ma maestoso

7.
Friedrich August Belcke (1795–1874)
Fantasia op. 58

8.–12.
Franz Liszt (1811–1886)
Via crucis – Die vierzehn Stationen des Kreuzweges (Orgel solo)
I. Einleitung: »O! Crux ave! Spes unica.«
II. Jesus begegnet seiner heiligen Mutter.
III. Simon von Kyrene hilft Jesus das Kreuz tragen.
IV. Jesus wird entkleidet.
V. Jesus wird vom Kreuz genommen.

13.
Franz Liszt/nach Jacob Arcadelt (um 1514–vor 1572)
Ave Maria (Orgel solo)

14.
Orpheus (Orgel solo)

15.–16.
Hosannah. Ein Sonntagsposaunenstück    
Choral: »Heilig ist Gott, der Vater«
Hosannah

17.–20.
Julius Schneider (1805–1885)
»Was Gott tut, das ist wohlgetan« Choralvariation op. 16
Thema
Variation I: Andante con moto
Variation II
Variation III: Allegro– piu Allegro