Music of Hamburg’s Moneybags - Yeree Suh - Elbipolis Baroque Orchestra
Musik der Hamburger Pfeffersäcke
Music of Hamburg’s Moneybags
Musique pour les riches marchands de Hambourg
Georg Philipp Telemann (1681–1767)
Georg Friedrich Händel (1685 – 1759)
Reinhard Keiser (1674 – 1739)
Elbipolis Baroque Orchestra
Yeree Suh – Sopran
The term "Pfeffersäcke" (literally: "pepper sacks") was a somewhat derogatory name for the merchants who dealt in spices, and who provided the financial support for the arts in Hamburg. The performances of Telemann, Handel, and Reinhard Keiser on this CD, to which the young Elbipolis Baroque Orchestra devoted itself with a lively joy of playing and baroque lightness, also benefited from the money of the merchants.
City on the Elbe = ELBIPOLIS. Or as it is so aptly said about Hamburg: The Gateway to the World. A Baroque orchestra at the gateway to the world, this is how “Elbipolis” sees itself. With local roots and a passion for their own musical history, but with open ears, eyes, and hearts for the rest of the world, and always ready to go on a musical voyage of discovery.
The premiere CD “Don Quichotte in Hamburg,” with music by Telemann, Mattheson, and Conti (RAUMKLANG, 2005), was received with great acclaim. On this CD, the timbre of the Elbipolis Baroque Orchestra Hamburg is enriched by the voice of the renowned soprano Yeree Suh.
Music of Hamburg’s Moneybags
Musique pour les riches marchands de Hambourg
Georg Philipp Telemann (1681–1767)
Georg Friedrich Händel (1685 – 1759)
Reinhard Keiser (1674 – 1739)
Elbipolis Baroque Orchestra
Yeree Suh – Sopran
The term "Pfeffersäcke" (literally: "pepper sacks") was a somewhat derogatory name for the merchants who dealt in spices, and who provided the financial support for the arts in Hamburg. The performances of Telemann, Handel, and Reinhard Keiser on this CD, to which the young Elbipolis Baroque Orchestra devoted itself with a lively joy of playing and baroque lightness, also benefited from the money of the merchants.
City on the Elbe = ELBIPOLIS. Or as it is so aptly said about Hamburg: The Gateway to the World. A Baroque orchestra at the gateway to the world, this is how “Elbipolis” sees itself. With local roots and a passion for their own musical history, but with open ears, eyes, and hearts for the rest of the world, and always ready to go on a musical voyage of discovery.
The premiere CD “Don Quichotte in Hamburg,” with music by Telemann, Mattheson, and Conti (RAUMKLANG, 2005), was received with great acclaim. On this CD, the timbre of the Elbipolis Baroque Orchestra Hamburg is enriched by the voice of the renowned soprano Yeree Suh.
Elbipolis Barockorchester Hamburg
Yeree Suh – Sopran
Martina Bley – Blockflöte / recorder / flûte à bec
Michael Bosch – Oboe / hautbois I
Luise Haugk – Oboe / hautbois II
Moni Fischaleck – Fagott, Blockflöte / bassoon, recorder / basson, flûte à bec
Jürgen Groß – Violine / violin / violon I
Albrecht Kühner – Violine II
Erik Dorset – Violine II
Henrieke Gosch – Viola / alto
Inka Döring – Violoncello / violoncelle
Elise Christiaens – Violone
Jörg Jacobi – Cembalo / harpsichord / clavecin
Ophira Zakai – Theorbe, Barockgitarre / theorbo, baroque guitar / théorbe, guitare baroque
Carla Linné – Percussion / percussions
Yeree Suh – Sopran
Martina Bley – Blockflöte / recorder / flûte à bec
Michael Bosch – Oboe / hautbois I
Luise Haugk – Oboe / hautbois II
Moni Fischaleck – Fagott, Blockflöte / bassoon, recorder / basson, flûte à bec
Jürgen Groß – Violine / violin / violon I
Albrecht Kühner – Violine II
Erik Dorset – Violine II
Henrieke Gosch – Viola / alto
Inka Döring – Violoncello / violoncelle
Elise Christiaens – Violone
Jörg Jacobi – Cembalo / harpsichord / clavecin
Ophira Zakai – Theorbe, Barockgitarre / theorbo, baroque guitar / théorbe, guitare baroque
Carla Linné – Percussion / percussions
Georg Philipp Telemann (1681–1767)
1 – 7 Ouverture »L’Omphale« in e-Moll (ca. 1723)
Ouverture – Pastorale – Bourée – Passepied – Les Jeux – Les Magiciens – Menuet en Rondeau 14:07
Georg Philipp Telemann
8 Aria dell’ Omphale
»Lebe doch mein werthes Licht« (1724) 2:29
Georg Friedrich Händel (1685 – 1759)
Sinfonia in B-Dur (ca. 1706/07)
9 – 11 Allegro – Adagio – Allegro 10:33
Georg Philipp Telemann
12 Aria dell’ Omphale
»Ich sagte gern ich wäre frey« (1724) 2:41
Georg Friedrich Händel
Musik der Hamburger Pfeffersäcke
Concerto für Violine und Streicher in B-Dur (ca. 1706/07)
13 - 15 Andante – Adagio – Allegro 8:56
Reinhard Keiser (1674 – 1739)
Suite aus »Hercules und Hebe« (1699)
16 - 25 Ouverture – Menuet – Entrée alternativement avec le Trio – Aria alla Battaglia – Aria con Oboe solo – Chaconne en Rondeau (»Betrübter Geist«) – Recitativo (»Ihr, die ihr euch an diesen Frühlingskindern«) – Menuet der Gärtner – Entrée alternativement/Entrée der himmlischen Geister – Gigue 22:12
1 – 7 Ouverture »L’Omphale« in e-Moll (ca. 1723)
Ouverture – Pastorale – Bourée – Passepied – Les Jeux – Les Magiciens – Menuet en Rondeau 14:07
Georg Philipp Telemann
8 Aria dell’ Omphale
»Lebe doch mein werthes Licht« (1724) 2:29
Georg Friedrich Händel (1685 – 1759)
Sinfonia in B-Dur (ca. 1706/07)
9 – 11 Allegro – Adagio – Allegro 10:33
Georg Philipp Telemann
12 Aria dell’ Omphale
»Ich sagte gern ich wäre frey« (1724) 2:41
Georg Friedrich Händel
Musik der Hamburger Pfeffersäcke
Concerto für Violine und Streicher in B-Dur (ca. 1706/07)
13 - 15 Andante – Adagio – Allegro 8:56
Reinhard Keiser (1674 – 1739)
Suite aus »Hercules und Hebe« (1699)
16 - 25 Ouverture – Menuet – Entrée alternativement avec le Trio – Aria alla Battaglia – Aria con Oboe solo – Chaconne en Rondeau (»Betrübter Geist«) – Recitativo (»Ihr, die ihr euch an diesen Frühlingskindern«) – Menuet der Gärtner – Entrée alternativement/Entrée der himmlischen Geister – Gigue 22:12
This product was added to our catalog on Saturday, April 18, 2020.