Music from the Dresden Castle - Sebastian Knebel
Music from the Dresden Castle
Chapel Musique de la chapelle du château de Dresde
Sebastian Knebel
- an der Orgel der Alten Kirche zu Coswig
- plays on the organ of the Alte Kirche in Coswig
- joue sur l'orgue de l'église Alte Kirche de Coswig
Sebastian Knebel – Orgel, Cembalo / organ, harpsichord / orgue, clavecin
Britta Schwarz – Alt
The seventeenth-century Coswig organ and the embellished interior of the Alte Kirche form a wonderful ensemble – one can hear the harmony between them on this CD. Since this is the only surviving organ from this period in the environs of Dresden, it seemed obvious to look to the Dresden court when selecting the pieces for the program. The names Hans Leo Hassler, Johann Klemm, and Matthias Weckmann were associated with organ music in Dresden in the seventeenth century. Moreover, the cosmopolitan Dresden court attracted other well-known musicians, for example, Johann Jakob Froberger.
With the well-thought-out Dresden program, Sebastian Knebel explores the tonal nuances of the restored Coswig organ and rounds off the program with selected pieces for harpsichord.
Chapel Musique de la chapelle du château de Dresde
Sebastian Knebel
- an der Orgel der Alten Kirche zu Coswig
- plays on the organ of the Alte Kirche in Coswig
- joue sur l'orgue de l'église Alte Kirche de Coswig
Sebastian Knebel – Orgel, Cembalo / organ, harpsichord / orgue, clavecin
Britta Schwarz – Alt
The seventeenth-century Coswig organ and the embellished interior of the Alte Kirche form a wonderful ensemble – one can hear the harmony between them on this CD. Since this is the only surviving organ from this period in the environs of Dresden, it seemed obvious to look to the Dresden court when selecting the pieces for the program. The names Hans Leo Hassler, Johann Klemm, and Matthias Weckmann were associated with organ music in Dresden in the seventeenth century. Moreover, the cosmopolitan Dresden court attracted other well-known musicians, for example, Johann Jakob Froberger.
With the well-thought-out Dresden program, Sebastian Knebel explores the tonal nuances of the restored Coswig organ and rounds off the program with selected pieces for harpsichord.
Hans Leo Haßler (1564–1612)
1. Toccata e Fuga noni toni 3:36
2. Canzon (»ist guett«) 2:59
Christian Michael (?–1637)
3. Præludium à 4 in MI 0:59
Samuel Scheidt (1587–1654) ∫
4. Magnificat 4. Toni 8:45
Christian Erbach (ca. 1570–1635)
5. Canzon a 4 del quarto tono 4:40
6. Canzon (in C) 3:16
Johann Jakob Froberger (1616–1667)
7. * Toccata XV in g 3:38
Matthias Weckmann (ca. 1616–1674)
Partita in d
8. * Allemand 3:52
9. Courant 1:17
10. Sarabanda 1:00
11. * Gigue 1:10
Johann Jakob Froberger
12. Fantasia VII 3:46
Matthias Weckmann
13. Fantasia ex d 5:25
Johann Jakob Froberger
14. * Affligée et Tombeau 7:28
Sur la mort de Monsieur Blanchrocher, faite à Paris, et se joïe bien lentement et à la discretion Matthias Weckmann
15. * Toccata in d 2:57
Christian Michael
16. Toccata à 4 in La minore 2:48
Johann Klemm (ca.1595–nach 1651)
17. Fuga XXII. à 3. Decimi Toni 2:35
Johann Kaspar Kerll (1627–1693)
18. Toccata VIII 4:18
Jakob Prætorius (1586–1651)
19. Magnificat germanice 2:52
Heinrich Scheidemann (ca.1595–1663)
20. Jesu, wollst uns weisen 2:28
21. Præambulum in G 4:29
1. Toccata e Fuga noni toni 3:36
2. Canzon (»ist guett«) 2:59
Christian Michael (?–1637)
3. Præludium à 4 in MI 0:59
Samuel Scheidt (1587–1654) ∫
4. Magnificat 4. Toni 8:45
Christian Erbach (ca. 1570–1635)
5. Canzon a 4 del quarto tono 4:40
6. Canzon (in C) 3:16
Johann Jakob Froberger (1616–1667)
7. * Toccata XV in g 3:38
Matthias Weckmann (ca. 1616–1674)
Partita in d
8. * Allemand 3:52
9. Courant 1:17
10. Sarabanda 1:00
11. * Gigue 1:10
Johann Jakob Froberger
12. Fantasia VII 3:46
Matthias Weckmann
13. Fantasia ex d 5:25
Johann Jakob Froberger
14. * Affligée et Tombeau 7:28
Sur la mort de Monsieur Blanchrocher, faite à Paris, et se joïe bien lentement et à la discretion Matthias Weckmann
15. * Toccata in d 2:57
Christian Michael
16. Toccata à 4 in La minore 2:48
Johann Klemm (ca.1595–nach 1651)
17. Fuga XXII. à 3. Decimi Toni 2:35
Johann Kaspar Kerll (1627–1693)
18. Toccata VIII 4:18
Jakob Prætorius (1586–1651)
19. Magnificat germanice 2:52
Heinrich Scheidemann (ca.1595–1663)
20. Jesu, wollst uns weisen 2:28
21. Præambulum in G 4:29
This product was added to our catalog on Sunday, April 19, 2020.